Original still life paintings, mixed media, and drawings by artist Polly Jones. Vibrant and colorful explorations and works in progress using acrylic paint and collage.
Thursday, September 25, 2008
Zinnia Polka original still life painting
I couldn't resist doing another zinnia painting before they are gone for the season. I consider blue bottles a part of light therapy so keep them in the window for catching that blue glow. This little Vicks Salve jar is one of my favorites. I actually remember when they came in the glass jar. I think we had the same one all through my growing up days. I'm experimenting with a gel retarder to keep the acrylic "open" or wet longer. The problem with it is it has a terrible consistancy and is hard to mix into the paint evenly. Any one out there with experience and advice for this material? Acrylic on 7 and 1/2 inches by 8 inches gessoed masonite. SOLD
Monday, September 15, 2008
Catherineholm Bowl With Plums original still life painting by Polly Jones
7 and 1/2" by 8" acrylic on gessoed masonite.
I found this little enamel bowl in a thrift store. I was curious about it and discovered (googling) that it is really collectible these days. It's the product of a famous mid century modern danish designer. I love to paint objects that have a history, and plums. SOLD
I found this little enamel bowl in a thrift store. I was curious about it and discovered (googling) that it is really collectible these days. It's the product of a famous mid century modern danish designer. I love to paint objects that have a history, and plums. SOLD
Thursday, September 11, 2008
A Grape and a Glass original still life painting
Tuesday, September 09, 2008
Sketch for Grape Glass Painting
Here is the under drawing for a painting I did today. It's overcast and rainy, which prevented me from getting a good photograph of the painting. I thought I would share how I usually begin. After setting up my still life, I draw directly onto the painting board or canvas. This one is an uncradled masonite board that I had previously painted with two coats of gesso. My favorite tool for drawing at this stage is vine charcoal. It's so soft that I can just rub off my mistakes. The charcoal is responsive and fluid. This is the time to work out the composition and get a nice gesture with the larger forms. (well, as large as it gets on an 8 inch square) I then rub off some of the excess charcoal so it won't muddy up the paint. I'll post the finished painting when I can.
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